Petra Giloy-Hirtz (Editor)
Hassel Smith
Co-author
Paul
Karlstrom,
Susan
Landauer
With contributions from
Petra
Giloy-Hirtz,
Robert C.
Morgan,
Peter
Selz and
Allan
Temko
Original Title: Hassel Smith
Hardcover, Linen with jacket,
232 pages,
25x30,
9.8 x 11.8 Inches,
144 colour illustrations,
18 b/w illustrations
ISBN: 978-3-7913-5107-0
€
49.95 [D]
|
€
51.40 [A]
|
CHF
66.90*
(* rec. retail price)
recommended retail price
Publishing House:
Prestel
Date of publication:
September 3, 2012
This title is available.
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LinksAbout Petra Giloy-Hirtz (Editor, Contributions)
Petra Giloy-Hirtz, former associate professor in medieval German literature, is a curator and author based in Munich; recent exhibitions and publications include Julian Schnabel: Polaroids and Dennis Hopper: The Lost Album.
About Paul Karlstrom (Collaboration)
Paul J. Karlstrom, who directed the West Coast regional centers of the Smithsonian Institution’s Archives of American Art (1973–93), is an art historian specializing in oral history and biography.
About Susan Landauer (Collaboration)
Susan Landauer, an independent writer and curator living in Oakland, California, holds a PhD from Yale University and has published numerous books and essays on West Coast American art.
About Robert C. Morgan (Contributions)
Robert C. Morgan is a writer, artist, and professor of art history based in New York City. A recipient of many awards, his essays and books focus on critical issues in art and culture within a contemporary global context.
About Peter Selz (Contributions)
Peter Selz was chief curator of the Department of Painting and Sculpture Exhibitions at the Museum of Modern Art in New York (1958–65), where he pioneered a legendary series of retrospective exhibitions. He is Professor Emeritus in the History of Art (UCB) and was the first director of the Berkeley Art Museum.
About Allan Temko (Contributions)
Allan Temko (1924–2006, awarded the Pulitzer Prize for Criticism in 1990) has been included as a contemporary voice of the seventies. His text was first published in the exhibition catalogue for Smith’s retrospective at the San Francisco Museum of Art (SFMOMA) in 1975.
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