Prestel

Degenerate Art

The Attack on Modern Art in Nazi Germany, 1937

With contributions from Olaf Peters, Mario von Lüttichau, Ines Schlenker, Karsten Müller, Aya Soika, Bernhard Fulda, Karl Stamm, Ernst Ploil and Ruth Heftrig

Hardcover, Linen with jacket, 320 pages, 23.5 x 28.5 cm, 9.3 x 11.2 Inches, 140 colour illustrations, 180 b/w illustrations
ISBN: 978-3-7913-5367-8
US$ 60.00 * | GBP 40.00 * (* rec. retail price) recommended retail price

Date of publication:
USA March 14, 2014 | UK March 14, 2014
This title is available.

 

Olaf  Peters  (Editor) - Degenerate Art
 
 
 
 

 

This book accompanies the first major museum exhibition devoted to a reconstruction of the infamous Nazi display of modern art since the presentation originated by the Los Angeles County Museum of Art in 1991.

During the Nazi regime in Germany, “degenerate art” was the official term for much of the most important modern art of the day. “Degenerate art” was defined by the Nazi regime as artwork that was not in line with the National Socialists’ ideas of beauty. Their condemnation extended to works in nearly every major art movement: Expressionism, Dada, New Objectivity, Surrealism, Cubism, and Fauvism. Banned artists included Max Beckmann, Paul Klee, and Oskar Kokoschka. Richly illustrated, Degenerate Art elucidates the historical and intellectual context of the notorious exhibition in Munich in 1937, which spurred the attack on modern art. The book contains reflections on the genesis and evolution of the term “degenerate art” and details of the National Socialist policy on art. Art works from the exhibition Degenerate Art are compared to works of art from The Great German Art Exhibition, which was held at the same time and displayed the works of officially approved artists. The book also presents the after-effects of the attack on modernism that are felt even today.

 

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